The Wilson McKinley Sound Samples Page
Comments and Sound Restoration by Timothy Smith, Tanignak Productions
Revised Combined File in 2022
Wilson McKinley Sound Samples and Stories
Rarities, Unreleased Tracks, and “Tim’s Mixes” (Experimental Re-
This “Rarities and Unreleased” article has complete songs available nowhere else, released with the band’s permission. The files are COMPLETE. There are concert recordings, practice tapes and interesting studio tracks. Some are samples elsewhere on this site. All have interesting history. The files are .mp3.
Check Out a Preview of “Tim’s Remixes” near the bottom of this page:
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The Wilson McKinley before conversion, 1969-
Randy Wilcox, Mike Messer, Tom Slipp, and Don Larson
This 1969 demo recording was produced by Terry Sheets, who also recorded the Spirit of Elijah album.This track joins the first version of “Got a Feelin’ ‘bout This Morning” (below) as a hint of the spiritual journey they were about to undertake.
The Wilson McKinley as new believers, Summer of 1970:
Randy Wilcox, Mike Messer, Tom Slipp, and Jimmy Bartlett
Coming to Take His Children COMPLETE — Restored On Stage LP version, with the old horrible tape break edit corrected! This is a “Tim’s mix,” bringing up the instruments where possible. This version is from Rolled Away the Stone!
He is a Friend of Mine COMPLETE — Restored On Stage LP version, newly posted complete
for the first time, in the new Rolled Away the Stone! mix. It’s an old folk song
via the Byrds, with new lyrics by the band. I boosted low bass, cut the congas and
The On Stage album was an embarrassment to the band because of its poor recording quality, and especially for the fact that the band (with Jimmy) was only a couple of weeks old when it was recorded, without their knowledge. With all these factors against it, the LP still went on to shake Christian music to its very core, and is the first “Jesus Music” LP by a rock band according to the Guinness Book of World Records.
These two complete tracks show both the album’s deficits and charm. The full-
Got a Feelin’ ’bout this Morning COMPLETE
This very interesting Randy Wilcox solo also appears on a practice tape from before their conversion. It took very little in this 1970 remake to change the lyrics to reflect their new faith in Christ. As Mike Sheets (who provided this track from a practice tape) states, their songwriting in the months before conversion demonstrates that they were “being drawn by the Father.” It is sad that the balance and distortion are so bad on this track, but you may agree it is one of WM’s finer songs.
Below: The Wilson McKinley, 1970, joined by Lou St. Cyr, congas (left).
Above: the graphic for an article on the Wilson McKinley in the Truth paper, published by Voice of Elijah, around the time of their second LP’s release.
Sounds from live appearances, 1970-
From a concert at Gonzaga University in late 1970:
Coming in the Clouds COMPLETE (Found on Rolled Away the Stone!)
This distorted and only slightly stereo track is still a lot of fun to listen to.
The band all had colds that night. After listening to the entire concert, it is
clear that they had a hard time tuning their instruments as well, but none of the
songs reflect that. The Gonzaga tracks are the Wilson McKinley’s first stereo recordings
as a Jesus band, and whoever was watching the meters had it set for the solo acts
that proceeded them, so the distortion comes from the red-
Two tracks from James Zehm’s 1971 recording of a concert in the small town of Kellogg, Idaho (the Silver Valley). Witness with a punch! Live stereo from reel tape:
I Need a Saviour COMPLETE — Working out a track for Spirit of Elijah
I’m So Glad I’m Saved (edited from a medley) COMPLETE
James Zehm also recorded two appearances at the “Moby” concerts in Coeur D’Alene, Idaho. This was a “secular” venue, and they were told not to preach, but of course they could introduce the songs, so they slid their testimonies in that way. The Wilson McKinley participated in many “battle of the bands” events over the years, and more than held their own. After listening to the Kellogg and Moby tracks (recorded/provided by Jim Zehm) I can verify that they never compromised their message, but seemed to try to make the Gospel as clear and attractive as possible. The great music didn’t hurt their cause either!
Two tracks from James Zehm’s “Moby” recordings, Coeur d’Alene, Idaho, 1971:
Who are You Foolin’? COMPLETE
This World is Not My Home COMPLETE Old hymn done Country-
(These four tracks from James Zehm are not on Rolled Away the Stone!)
The Wilson McKinley were in a “songwriting frenzy,” as one band member related, during
those early days (the above four songs date from 1971). Only a few of those early
songs made it past inclusion in a few concerts. A good many worthy songs were simply
forgotten in the flood of new compositions. “Who Are You Foolin’?” has apocalyptic
lyrics and an in-
The Wilson McKinley as the “I Am” House Band, 1971-
The Wilson McKinley’s recordings from their performances at the “I Am” are well covered, because over 45 minutes are on their Rolled Away the Stone! album. But there’s one aspect of their playing that is not well covered. They were the backup band and studio musicians for guest singers at the coffee house and the recording session presented below. Posted below are two tracks from You Can’t Disguise Religion, by Frank Starr, with Niel Livingston on pedal steel and the Wilson McKinley doing everything else. Their work on the Frank Starr album probably makes it the rarest of all Wilson McKinley LP’s.
Incidentally, this was recorded shortly before the band used the very same studio for the Heaven’s Gonna Be a Blast sessions in late 1971. I selected the two most interesting tracks. “I Felt His Love” features nice instrumental breaks by Mike and Randy (on piano) while “Jesus” is the only track that comes close to being Jesus Rock. His daughter provided the color photos from that session that were used on the inside fold of Now I’m a Jesus Freak.
I Felt His Love COMPLETE — Frank Starr with the Wilson McKinley and Niel Livingston, steel guitar, 1971. Check out Randy’s piano playing!
Jesus (mixed in original mono) COMPLETE — Frank Starr with the Wilson McKinley and Niel Livingston, steel guitar, 1971.
Below: The Wilson McKinley at Sound Recordings Studio working on the Frank Starr LP, You Can’t Disguise Religion.
These are also the only color photos of the members of the band that have come my way. Left to Right: Randy Wilcox at the piano he played in Heaven’s Gonna Be a Blast, Tom Slipp at the drum set, Mike Messer with an acoustic guitar for the session, and Jimmy Bartlett with his electric bass. Jimmy told me that he always wrote his songs while playing bass!
What is Man? COMPLETE — Leroy Blankenship with the Wilson McKinley at the “I Am” in 1972
The above track is released with the blessing of Leroy Blankenship, who was still active in ministry in 2010 when this was originally posted, and remembers his tour through Spokane when this concert was recorded. He was a friend of Carl Parks, was invited to sing at the “I Am,” and the Wilson McKinley provided a quick backup band for him (probably early 1972).
Below: Randy, Jimmy, Tom, and Mike on stage at the “I Am” in this montage from 1971. Photos are from Dave Joern.
The Wilson McKinley Studio and Practice Tapes, 1970-
Gettin’ to the Kingdom/I Guess We’d Better Follow COMPLETE 2-
The Misty Shroud COMPLETE — practice tape, summer 1970
The first song medley is unreleased. “Misty Shroud” is on Now I’m a Jesus Freak, and you can check out five tracks from that session on the CD. In late summer, 1970, the Wilson McKinley pulled out a few of the many songs they had been writing and laid them down, in highly overdriven and distorted mono, into an open reel tape recorder. Then they mostly forgot about the recording, singing less than half of the selections in their later live appearances. Thankfully, Mike Sheets had a copy of the tape, and like his wonderful stereo recordings at the “I Am,” these tracks have made it to a wider audience. Besides being killer songs, this session also marks the first “studio” (not live) recordings of Jimmy Bartlett with the band. And of course, many are his songs.
Country in the Sky practice tape COMPLETE — not on CD, from 1973, with the band working out the arrangement for the title track of their next release. The instrumentation and overall approach are sufficiently different to make this an interesting track. (See below for a sample of the released version)
Angel’s Song COMPLETE — Buzz Vineyard singing lead on his composition, with the Wilson McKinley playing along. This song, recorded with only the band, was one of two Country in the Sky tracks that the band didn’t write. You may notice more instrumentation in this version, not on CD.
Come By Here COMPLETE — an instrumental track from the ill-
“Come By Here” has been shortened by over a minute for your listening survival! The original ending, heard here for the first time, shows the band basically falling apart as they struggle to complete a project they really hated doing. The last few seconds shows Randy and Tom breaking into a ridiculous riff, and ending abruptly, with Jimmy saying, “Hey, wait a minute!” If anyone needs to know why the band still loathes this album, this never before released track tells you everything! Only the instrumental version of “Jesus Jesus” (Can I tell you how I feel…) was cleared to release on CD.
Almighty God COMPLETE — an instrumental track from the ill-
We’ll end the “rarities” section on a high note.
The Tanignak Remixes: A-
The complete tracks may soon be released as a “streaming/download” album, pending band approval. There will be more examples soon!
After three albums of reissued and rescued material from the Wilson McKinley, I decided
to go a different direction with a few of their released tracks. On CD, I tried to
stay as close as possible to the original sound that the equipment was trying to
capture. But with this project, I use every tool in my box to repair mistakes, restore
balance, and bring the track to life. The samples below are A-
Standin’ At the Crossroads -
I See With Different Eyes -
The Love of My Saviour -
It’s Alright, It’s Jesus Christ -
His Eye Is On The Sparrow -
I Wish I Had the Words to Tell You -
Come On Home -
Saviour Changed My Life -
He’s Coming Soon (Vote for Jesus) -
Country in the Sky (studio) -
I’m Only Smilin – One of the three tracks from Heaven’s Gonna Be a Blast that features
a mono instrumental track. I balanced the vocals over a “Duophonic” split-
Deep in the Arms of My Lord -
Spirit of Elijah -
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